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Thatched Cottage hardwoods and fireplace

With the Thatched Cottage’s walls painted I moved on to the floors, using the same thin wood veneer I’d used in the Victorianna (but a different color). I started by staining the subfloor so any spots that showed through wouldn’t look like raw wood. I hadn’t done a particularly good job keeping wood filler and paint off the floor, so I was only really able to stain the centers. Better than nothing.

The trim at the top of the house was very faded, so while I had the stain out I went over those pieces with it. The stain is Minwax Weathered Oak. In this picture the trim at the top has been stained and the trim at the bottom hasn’t yet, so you can see the difference.

While the stain was drying I cut out 1/4″ wide flooring strips with the paper cutter. I went around the edge with Sharpie to give the flat boards the illusion of depth, and then used a thinner Sharpie to draw nail holes on each end.

The cottage’s rooms aren’t square. I started with the middle room, going left to right, which got kind of wonky when I got over to the next room that meets it at an angle.

Here’s how the three rooms ended up. I probably should have done the middle room right to left since the right edge of that room is square. Oops.

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Bill Lankford cottages – adding wood filler texture

I don’t know what materials were originally used to create the texture on the outside of the Bill Lankford cottages. Possibly spackling compound. In the past I’ve used watered-down wood filler for a stucco effect (Rosedale, Artist’s Cottage) and since I’m more experienced with that than spackle, I decided to do something similar to add texture to the cottage walls.

My wood filler was almost empty, so I bought a new one. Previously I had been using Elmer’s brand and this is Dap “plastic wood” (Home Depot didn’t have Elmer’s). The consistency is different, almost like thick tahini sauce.

I mixed it up with the rest of the Elmer’s (the yellower, crumblier stuff).

After adding water and stirring, they mixed together fine. It was a little thin — maybe I should have added more of the Dap stuff — but I just wanted some texture, not stucco necessarily, so I thought thin would be okay.

Before I started painting it on I put tape over the windows, leaving a bit around the edges to account for the trim, which I thought would be easier to glue onto flat wood than textured.

I forgot to take a picture at this point in the process, but I spread this stuff on the walls with a sponge brush, swirling and dabbing to create texture. When some of it had dried a bit I went back and dabbed some more. Then I let it dry a few hours, peeled off the masking tape, and started the first coat of paint.

Here it is completely painted. I was using a sample jar of Behr “Sandstone Cove.”

The masking tape didn’t work out quite how I’d hoped. I think this happened on the Rosedale, too — the lines left by the edges of the tape are much too obvious, especially since I wasn’t precise about how much trim area got masked off.

I did another round with the wood filler, being super careful not to get it on the windows. I also touched up some other areas that hadn’t come out as textured as I wanted.

Much better! And because this is a thin layer and not as bumpy as the stucco, I don’t think gluing trim over it will be a problem.

Here’s the Thatched Cottage with all its walls done.

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Bill Lankford cottages in 1:24 scale

These are two half scale Bill Lankford cottages I bought separately off eBay. The one on the left is officially called “A Place for All Seasons” because it came with two bases, summer and winter, that could be swapped out. (Mine only came with the summer base.) The one on the right is fully enclosed and the roof lifts off to see the inside. They both need some repairs and new landscaping, and the insides are unfinished. Since most of the tasks will be the same for both houses, and they’re small, I decided to tackle them together.

Before I even knew what it was, I dubbed the Place for All Seasons house the Tudor Cottage, so that’s how I’ll be referring to it on the blog. I bought this dollhouse thinking it was made by Bauder Pine because an eBay auction for another one (in much better shape) said so. Then I came across the Spring 1994 issue of Miniature Collector, with this house on the cover, and the magazine credited the house to Bill Lankford. I contacted Bill for more details and he said that the house was once taught in a class at the Philadelphia Miniaturia sponsored by Pat Bauder, but the house is entirely his.

Here’s how the Tudor looked when I bought it. It may be the exact same structure, but mine isn’t nearly as nice as the one in the magazine. (Not yet, anyway!)

As soon as I unpacked the house I started pulling it apart. I popped out all the windows (one of which had been completely painted over inside), the door, the window boxes, and the bay window thingie. I’m going to replace the glass and make a new door. The bay window was poorly glued in, I can do a better job.

Inside, I’ll add texture to the walls, repaint, and add flooring and trim. I’ll build in an egg carton stone fireplace where the hole is, something like the fireplace in my Little House cabin, but more ornate.

The house isn’t in bad shape, but a lot of things are just sloppy — no paint under the roof, for example. One side of the dormer in the roof is unpainted, too. And the chimney, which seems to be cast in resin, is totally unfinished. It looks like the previous owner started trying to paint it and stopped when they realized they weren’t doing it right.

Besides the one shown in the Miniature Collector article, I’ve found a couple other instances of this dollhouse online, one at LiveAuctioneers and one on eBay finished by Pat Bauder. (I don’t know how long that eBay link will continue to work, since the auction is long over, but for now all the images are still hosted here.) I also saw one a couple of years back at the CHAMPS show in El Cerrito, CA.

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