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New dollhouse workshop in progress

Since moving back to San Francisco in October, it’s been hard to get back to work on mini projects. All my dollhouse stuff is in plastic bins in the garage, some stacked up so they’re hard to reach, and I can never find what I need. The dollhouses are all over the place and none are set up because I don’t want furniture and tiny pieces to get lost. I miss my old workshop, where I knew exactly where everything was. Blah blah blah.

A couple of weeks ago my complaining must have hit a high note because Geoff agreed to get started on the workshop he promised I could have in the garage when we decided to buy a house that didn’t have a “dollhouse room.” It’s not done yet, but we now have a room!

Our house is a Marina style, built in 1925. The garage is basically an entire first floor that the floor we live on sits on top of, and in a lot of houses like ours this has been converted into living space. We didn’t necessarily want to do that, but there’s plenty of room to close off an area for the workshop and still have space for tools and storage and a car.

Here’s how the garage started out.

Geoff used the posts as reference points to figure out where to section off the new room. The house is on a hill so there’s a big concrete ledge along one side of the garage that we needed to accommodate.

We’d originally moved most of my houses and supplies on top of the ledge, but it was all crammed in and hard for me to find what I needed. I was also concerned about really working on the houses this way — any time he does something messy in the garage they get dusty, and it would be so easy to drop and lose a little piece and never find it again.

I was able to work on the gingerbread dollhouses and my contribution to the Half Scale Yahoo Group‘s 2016 swap with this set-up, but whenever I left stuff out on the table (which is always) it risked getting knocked into or mixed up with something Geoff was working on or *gasp* thrown away. I need something more enclosed.

He started by building a shelf over the concrete ledge. We figured out what height I wanted this to be (about 40″) so I could display houses on it and easily see and reach them, but also have enough space underneath for storage.

The shelf is 16′ long and about 3′ deep — which is really deeper than is practical because I can’t reach the back without climbing on something, but the ledge dictated the dimensions.

You can see in this pic that there’s less room under the shelf on the near end than on the far end. That’s to keep the tabletop level, because the ledge (and the floor) slope toward the back of the house.

Next came the walls. These don’t reach all the way to the floor – it’s because of the length of wood Geoff bought (the verticals are 8′), but this also made it easier to deal with the floors sloping.

The drywall does go down to the floor, so you can’t tell that the studs are floating. My plan is to put a workbench/desk along the wall on the right, and then shelving on the back wall to hold paint and other supplies.

We’re not putting in a door and instead left an opening near the washer and dryer. So the room’s not completely closed off, but I think I’ll be okay with this because it gives me easy access to the sink.

And he added three bright fluorescent lights so I can see what I’m doing!

There’s still work to be done, but it’s good progress for two weeks. When it’s done I’ll get back to work on the Victorianna. Can’t wait.

Late additions to the Christmas Breadbox

I didn’t get these done in time for Christmas, but I cross stitched three designs from Prairie Schooler’s Folk Art Christmas to go in my breadbox roombox.

Here are the stitched designs. They’re stitched over-one on 36 count linen, for finished sizes of approx. 1-5/16 by 1-7/8. I started with the horizontal one, planning to put it on the blank wall next to the table, but then I wanted to do more so I decided to make the horizontal one a rug near the sink and stitched the two vertical ones for the wall.

I used fusible interfacing to finish them. I’m not sure if I’ve posted about this stuff on the blog before, but I’ve used it a few times now and it works well. You start by cutting a piece to fit over the back of the design.

Then iron with steam (and a cloth in between) for about 15 seconds.

With the backing on, I was able to cut right up to the edges of the rug. Usually I finish a rug by leaving the third-to-last row unstitched, and then turning the fabric over and stitching over the turned part for that row, to secure it. It works well to prevent the piece from unraveling, but it makes the rug bulky.

Using the interfacing makes the rug lie flatter, but you can see the little white threads at the edge where I cut it. So, not perfect, but no one’s going to be staring at it that closely!

If I’d planned ahead to make this a rug, I might have stitched it on lower count fabric to make it a little bigger, but it works at this size.

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Gingerbread dollhouse – step away from the frosting!

My gingerbread dollhouse looked pretty good the way I had it, but I wanted to finish the roof and front door, and play around a bit with frosting. And… I might have ruined it. I mean, it’s still adorable, and I had fun with it, but I went WAY overboard on frosting — past the point of no return, and then some.

First, though, I spruced up the front door.

I also added Snow-Tex to the porches and roof. This stuff is great. The texture is sort of marshmallow-like and it just looks yummy.

I sprinkled glitter on the roofs while the Snow-Tex was wet. It reminds me of a cookie with sprinkles.

I used up almost all the Snow-Tex… that’s how I knew it was time to stop!

Next I added frosting sashes to the front windows.

So, here’s how the house looked before I went totally nuts with the frosting. Pretty tasteful, I could have left it this way.

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