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Mansard Victorian – egg carton brick foundation

This is my inspiration house for the Mansard Victorian. It’s the Emanuel Kahn mansion in Salt Lake City, Utah (more pictures here).

I realize I’m setting myself up for a lot of tedious work with a brick exterior. When I did the Victorianna’s brick foundation, it took so long that I swore I would never do egg carton bricks again. I’ve used brick paper and Magic Brik on roomboxes, but they don’t have the realism I want for this house. So, egg carton bricks it is.

I’m ready to start finishing the interior, but first I need to cover up the front foundation piece, since I don’t want to be painting and grouting when the wallpaper and flooring is already in.

Before I got started, I turned the house on its back so I could see how much space there is between the front of the house and the foundation piece. I didn’t want the thickness of the bricks to prevent the front from standing up against the house.

Not only is there a gap, but the front piece is slightly bowed where I glued the two panels together. I put a piece of egg carton material in to see how it fit, and there’s plenty of space for it.

I started by filling in the screw holes on the foundation piece with wood filler.

Then I painted the foundation piece and the front edges of the walls and ceiling. My bricks will be orange with gray trim, like in the inspiration picture, but I didn’t have the orange paint yet. I grabbed a gray off my paint shelf, knowing I could paint over it later if I needed to.

I cut several egg carton strips. The strips are 3/8″ wide, and I then them into 1/8″ pieces to make the bricks.

This is going to take a loooong time.

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The Shop by Bauder-Pine

Last month, this cute half scale dollhouse showed up on eBay.

The description attributed the house to Robert Bernhard of Dolphin Miniatures. Curious about it, I reached out to Cathy Miller-Vaughan, the current owner of Bauder-Pine. She started working for Pat Bauder in the nineties, and she knows the names of a lot of people who did half scale in that era.

Not only did Cathy recognize the house, but it turns out it’s a Bauder-Pine house! Here’s what she told me:

Pat and Bob Bernhard decided they wanted to create four houses that were similar and would sit on a shelf. This is the second house. … I think it was 1997, Pat and I went to CIMTA in Vegas and met a gentleman from Sri Lanka who would cut these houses for us. There were, I think, 100 or 125 of each house created. Bob designed and created the prototypes. They came assembled and unfinished. They arrived by truck, a big truck, in wooden crates. It took months for them to arrive. I was the one who had to unload those crates. Good times!

Eventually, only three houses went into production. The windows, doors, staircase, and railings were created in Sri Lanka with the houses. These are not anything you can purchase separately. The roofing with the kit was a plastic sheet of shingles. The roofing on this house, on eBay, isn’t the roofing that came with the house. Also, the chimney wasn’t included in the house kit.

She sent me this newspaper picture of the four buildings. From left to right they’re the Shop, the second building that never went into production, the Market Cross, and the Regent Street.

This Market Cross is owned by Ann Pennypacker. Cathy thought it might be the prototype. I love the curved bay window.

Notice how the quoins are handled — they’re only the front, to allow the hinged panels to open.

This is something I grappled with on the Mansard Victorian. I decided to turn that house’s hinged panels into one standalone panel, so the quoins don’t get in the way of opening the panel, but even if I kept the hinges I’m not sure I would do the quoins this way. It’s fine to only see the quoins from the front if the building is right up against other buildings like it is in the newspaper photo, but on a standalone building it’s a little awkward.

(Don’t get me wrong, it’s still beautifully finished! Just something I noticed.)

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Tracking down Bauder-Pine furniture for the Mansard Victorian

I plan to furnish the Mansard Victorian with as much Bauder-Pine and Cassidy Creations furniture as possible. This means keeping a close eye on eBay, Etsy, and other places where thirty- to forty-year-old half scale miniatures might show up.

(I’ve previously posted about Bauder-Pine furniture here and here, and you can read up on the Cassidy Creations kits I’ve built so far here. I will be building a lot more of them for this house!)

Bauder-Pine produced the Cassidy Creations kits and also sold finished versions. When buying these now, you can tell if it’s a Bauder-Pine piece or a kit finished by someone else from the signature.

I think the part before the year on this one is J McC — Jayne McCormick, who was the main person finishing Bauder-Pine’s kits in the nineties.

A few weeks before Christmas I stumbled across this little cabinet on eBay. Bauder-Pine wasn’t mentioned in the description, but I recognized it as a Cassidy Creations wall cabinet. (I have one set aside for the Mansard Victorian’s bathroom.)

The handwriting on the back of the cabinet doesn’t look like the signatures on my other Bauder-Pine pieces. I showed it to Cathy Miller-Vaughan (Bauder Pine’s current owner) and she said it’s Pat Bauder’s signature. Score!

(Fun story: when the cabinet was shipped out, I kept an eye on the tracking number, and a week later it hadn’t moved from its original location. I was about to contact the seller when she messaged me to say that she’d accidentally sent it to the wrong person! She asked if I wanted to refund the order and forget about it. Not a chance. She sent a shipping label to the person who had received it by mistake, and they sent it on. Thank you, mystery person!)

These days, Bauder Pine mostly sells items that Cathy buys in estates, as well as a small line of new kits. (The Cassidy Creations line was sold off to Kathy Moore, who has since retired.) For several months, I had my eye on this nursery set in the Bauder Pine Etsy store.

I have these same pieces in kit form and was planning to build them, along with a crib, for the Mansard Victorian. But I really liked how these were finished and almost hit the buy button several times.

Then they were gone, as all nice things we don’t buy when we have the chance eventually are, and I asked Cathy if she’d sold them. She wrote back:

The nursery set did sell, about a month ago. It was a set done by Cass Harkins. Cass was a down to earth, funny, sweet woman who cut all the Cassidy kits. I really don’t know how she did it. I would spend time with her at her workshop (the second floor of her home). She was so knowledgeable and could work a scroll saw like no one. She created every jig she needed to mass produce these kits. She would make a gross at a time. She was one of Pat’s workers who stayed in the background and didn’t think anything about what she did for miniatures.

After learning the history, I was disappointed that I hadn’t pulled the trigger — this set would have been perfect in my Bauder-Pine shrine. And then, in an amazing stroke of cosmic synergy, look what showed up on eBay…

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