The Den of Slack

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Overheard in 2002

This morning I was flipping through old notebooks as part of a writing exercise, and came across this snippet of dialogue:

-Where has she moved to?
-Guatemala.
-Oh, what a pity. I mean, good for her, but I’ll miss seeing her around. But I’m not sure that’s safe?
-Oh, I think where she is is pretty okay. Right by the lake. And besides, what’s safe nowadays?
-I know! My friends say, as I plan my trips, do you want to travel? At a time like this? And I say, I’m probably safer in Italy than I am here in the states—
-Isn’t that true.
-What with these terror alerts.

I probably overheard this exchange at a coffee shop. The dates on the surrounding pages suggest that it was sometime in February, 2002.

What an unsettling decade it’s been.

Fairfield progress, slow and steady

I won’t be winning any races, but someday in the not-so-distant future the Fairfield will be finished and on display in my living room, and when that day comes I’ll be really proud I took so long to make it as close to perfect as I can. (Right?!) My latest task is doing all of the interior trim (crown molding, baseboards, etc.) This stuff takes a long time, and the fact that it’s half scale and sometimes hard to get my hands in where they need to be adds to the work.

Back in June, I cut all of the crown molding for the living room, dining room, and bedrooms, but I only put it up in the the dining room before taking “a break.” (I have to stop taking six month breaks!) This week I did the living room (pictured above with dining room furniture… I’m rethinking my layout). This room was considerably more work, due to the bay window and the stair area, and I ran into some issues that required an emergency replacement of the wall next to the fireplace (long, annoying story). Today I did the baseboards and some other trim odds and ends, including gluing in the front door and finishing up some lingering baseboard in the entryway. I was hoping to do crown molding in there but I just can’t get my hands in there to measure it. (It doesn’t help that there’s a chandelier in the way…)

It looks great and I’m happy with the results, but by far the best part of the day was making a snap decision to fix something that has been bothering me for years. When I put the Fairfield together, I planned to use white trim, so I painted the interiors of the doorways white. Then I decided to stain the trim instead, so I ended up with a weird stain / white / wallpaper layered effect that was driving me nuts. If the doorways were rectangular they would have been easy to fix, but since they have rounded tops, I figured I was stuck with it.

Today as I glued in the baseboards, I realized the strip wood I was using, which was only 1/32″ thick, was really flexible. I made a quick trip to the dollhouse store around the corner to buy some more, stained it, and managed to glue it in over the white. Used skinny sticks to hold the curved part in place while the glue dries. I can’t believe I never thought of this before!

I haven’t decided yet if I should do the same thing in the dining room, since the kitchen doorway on the other side does have white trim around it…

Years ago when I was first building this house, I bought a lot of resin furniture I planned to use in it, but lately it seems too small to me. (The couches barely come up to the bottoms of the windows, etc.) So once the interior trim is finished, I might end up redecorating. For now, I tried playing around with some dining room furniture in the so-called living room, and I actually like how it fits in here better than in the other room, so I may leave it this way. (But then I don’t know where I’ll put the grand piano…)

   

The next challenge will be the second floor bedrooms. Crown molding’s up, and the door trim is ready to go, so all that’s left are the windows, floors, and baseboards. Earlier this week I tested my electricity, which still works four years later, but initially I had to fiddle with some of the connections. Since the connections for the first story lights are on the floor of the second story, I’m nervous about covering them up permanently, so I’m trying to figure out how I can do a removable floor (carpet, probably) and still have it look good with baseboards. The floor in one of the rooms is pretty warped which might complicate matters.

Then comes crown molding in the upstairs hallway and bathroom… then flooring and baseboards in the attic… and the kitchen trim and flooring and pantry… and then the interior will be finished. Want to take bets on how many more months it’ll take me?

The tricks writers play

For several months, I was focused on revising my novel. Then I participated in NaNoWriMo, which was exhilarating and empowering and exhausting. I let myself take a little break from creative writing in December, with the goal of revisiting my NaNoWriMo novel in the new year. But now that January is here, I’m not sure I want to. I reread it, and underlined some good, funny stuff, but the overall plot… I’m just not inspired by it right now. So I’ve spent the last few weeks avoiding creative writing and feeling like a failure because of it.

Pity party’s over. I’m making an effort to get back into my writing routine. (Which means writing for a few hours in the morning—no going online “just for a minute” first because that never works!) This week I cracked open a book I got for Christmas, called Room to Write by Bonni Goldberg. Back in August, I claimed I was going to read all of the writing books on my shelf but in reality I only got partway through Julia Cameron’s The Right to Write before that resolve went out the window. Lots of people love Cameron’s methods and she does have some great advice, but the book was too New Agey for me. I worried Room to Write would be similar, since Julia Cameron is quoted on the cover, but am finding it to be a wonderfully practical book full of exercises to stimulate the good ol’ creativity.

In the book’s introduction, Goldberg writes:

Writing, like any spiritual undertaking, has many paths, but only one direction—deeper. Whichever path you follow, a few fundamental rules apply:

  1. The most important action you can take is to show up on the page;
  2. The more you can give up control over what you write, the more genuine your writing will be;
  3. Making room in your life to write generates even more room for your writing;
  4. The only true obstacle to writing creatively is a lack of faith that appears as fear and self-judgment.

This all makes perfect sense to me, especially that last point. It’s strange that even after finishing a novel, and having work published, and spending over a decade participating in creative writing workshops, and taking the ballsy move of quitting my day job to devote myself to writing, I still allow myself to slip into that “I don’t know what I’m doing” mentality. But I do, and “a lack of faith that appears as fear and self-judgment” is exactly the way to describe it.

One issue I’m having right now (or maybe it’s more like an excuse I’m making) is that my novel, on which I’ve spent nearly seven years, is finished. The characters I know so well aren’t around to play with anymore. The story I’ve been telling, with its beginning, middle, and end already figured out, is complete. Now I need to come up with new characters, new settings, new stories. Clearly I’m capable of doing this—I did 50,000 words’ worth of it in November—but the idea of sitting down and coming up with something out of thin air is daunting. I know the only real failure is not writing at all, yet I avoid writing, in order to avoid failure. It’s a pretty lame paradox.

So I’ve been flipping through the exercises in the book, and this morning I tried a great one that I thought I’d share. Not because I think a truly amazing masterpiece came out of it, but because it was such a simple task that tricked me into writing. And not just writing, but also inventing, creating, conjuring. Three characters, a setting, a situation—they flowed out onto the page. I didn’t think about them beforehand. I don’t know where they came from, but there they are—described in my handwriting, so I must have had something to do with it.

The exercise is called “Chain – Chain – Chain,” and the idea is to make a list of random words, and then write a short piece that includes all of them. “Sometimes the only way through the gate of creativity is trickery,” Goldberg writes. No kidding.

Today, try a trick. Write one of the following words at the top of the page: fence, road, boil, or fall. Now without thinking or stopping, write whatever other words come to mind down the middle of the page until you reach the bottom. Write a piece in which each line uses one of these words in the order in which they appear.

Room to Write, page 41

My output (with the listed words highlighted) is posted below, if you’re curious. I’m under no illusion that this is stellar writing. At the moment I’m just happy to have made it exist. These people might have a story waiting to be discovered, and I never would have known…

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